At the northeastern end of Gavorrano stand the remains of a castle.
Its bramble-engulfed stones look out over a bluff to the left, often
swallowed up in clouds. On darker days, you can almost hear a desperate cry and
glimpse a woman falling to the ground. Yes, you might think it’s the stuff of
tourists overly inclined to believe in stories of the past, but it’s actually
not that strange an occurrence.
Nobody who ventures beneath the walls of Castel di Pietra can remain indifferent to the traglic plight of Pia de’ Tolomei. Even the citizens of Gavorrano still refer to the castle as the “Countess’s Jump”. Pia’s story has touched all of our hearts. In 1297, the noblewoman was killed on the orders of her husband, Nello d’Inghiramo dei Pannocchieschi, the lord of the castle and chief magistrate of Volterra and Lucca. He was responsible for having her flung off the balcony after keeping her locked away. Was it jealousy or because she was an obstacle to a potential marriage with the countess Margherita Aldobrandeschi?
Pia de’ Tolomei is one of the most famous female figures in Dante’s “Divine Comedy”. But we know very little about her in the history books. We don’t know if she was beautiful or not, if she was well educated, if she loved her husband or if the marriage was a political union. Dante tells us her story. In “Purgatory”, Pia appears among those killed by violent means. She calls out to the visitor with a subdued tone and no thoughts of vendetta. All she wants is to be remembered by the living. “When you return to the world, and have rested after the long journey,” Pia reminds the poet “remember me, for I am Pia from Siena, Maremma undid me.” And then she accuses her husband: “Salsi colui che 'nnanellata pria / disposando m'avea con la sua gemma”. He knows all too well the man who gave me his ring.
The remains of Gavorrano that stand out in the metal-bearing hills have inspired poets and artists down the centuries. Pia’s story still moves us today. We wonder how many times Gianna Nannini visited Castel di Pietra to write her song dedicated to Pia de’ Tolomei. Both women are from Siena, and both are rebels. It seems inevitable that the singer-songwriter felt the need to give Pia a voice.
The woman’s story, an icon of violence against women, fascinated the singer so much that in 2007 she dedicated not only a song, but an entire rock album to Pia. Nannini succeeded in turning the historical figure handed down by Dante into a pop heroine, even taking her to Sanremo for the music festival. The record’s called “Pia a modo mio” (Pia, my way). The songs on the album were written in collaboration with a Tuscan scholar, who passed away, who was also called Pia, Pia Pera. “Dolente Pia innocente è prigioniera / col capo chino / la fronte al seno / pensa a quei giorni del passato / Ricordi in fior” (Sorrowful Pia, innocent, she’s a prisoner / her head bowed / brow on breast / she thinks of those past days / Memories in flower).